Tuesday, 14 February 2017

Raychel Harvey Jones | Valentine’s Day 2017: 5 Fast Facts You Need to Know

Happy Valentine’s Day! The now secular holiday is named after St. Valentine, a martyred Christian saint who became the inspiration for an American holiday dedicated to love. Valentine’s Day, also known as Saint Valentine’s Day or the Feast of Saint Valentine, is a holiday designated to celebrate love, that love it or hate it, is here to stay.
But how did it come about and when did it become so commercialized?Beginning as a commemoration for an early Christian martyr, Valentine’s Day has largely become a secular holiday celebrated the world over—even in some Islamic countries—where local customs have adopted celebrating love.
Read on to learn more about Saint Valentine and the modern Valentine’s Day.
1. There Was More Than One ‘Saint Valentine
  

“Valentine” was a common name in early Christendom and thus, there was more than one martyr that modern Valentine’s Day can be attributed to.
The two Valentines that are typically identified with February 14 are Valentine of Rome and Valentine of Terni (an area in central Italy.) The Roman one was a priest, the Terni one was a bishop. They were both persecuted by the Emperors at the time and both had terrible deaths that eventually got them elected to sainthood.
Their remains exist in shrines all over Europe, including Italy, England, and Ireland. Saint Valentine’s skull is on display in Rome and is adorned with flowers.

2. There Are Many Legends About Saint Valentine

 As for non-historical stories about Saint Valentine, there are quite a few.
In The Dictionary of Christianity, author J.C. Cooper writes that Saint Valentine was “a priest of Rome who was imprisoned for succouring persecuted Christians.”
The most common folk story about Saint Valentine is that Saint Valentine was persecuted as a Christian. He was brought to Roman Emperor Claudius II, but Valentine impressed Claudius and they ended up having a conversation in which Valentine tried to convert Claudius from paganism to Christianity. Claudius refused and had Valentine executed. But before his execution date, Valentine allegedly healed his jailer Asterius’ blind daughter, giving her back her sight. The jailer then converted to Christianity, along with the rest of his household.
Embellishments to the basic story above are usually added to the narrative of Saint Valentine, with other stories circulating. There really is no historical authenticity to any of them, though.
As for how cupid got pulled into all this, Saint Valentine allegedly wore a purple amethyst ring with cupids around it that was a legal symbol under Roman law that the person wearing it could perform marriage ceremonies. The historicity of Saint Valentine and this Roman custom is also up for debate. But amethyst has since become the birthstone for February.

3. Chaucer Made the First Modern Connection Between Valentine’s Day & Love

 


 The monk Geoffrey Chaucer, the author of Canterbury Tales, wrote the first modern literary reference to Valentine’s Day equating to a celebration of love. (And oddly enough the first modern literary reference to the superstition of “13”, leading to “Friday the 13th.”)
The first reference to an annual February 14 festivity celebrating love was written 18 years later in year 1400. According to the book Debate of the Romance of the Rose by David F. Hult, the Charter of the Court of Love, allegedly issued by Charles VI of France at Mantes-la-Jolie, is charter that describes a celebration where everyone would gather to feast and celebrate all things love.

4. The Modern Valentine’s Began in 19th Century

The modern Valentine’s Day as we know it somewhat began in the 19th century. With the rise of the industrial age and mechanical printing, Valentine’s Day cards became more accessible than ever and quickly became all the rage in England. This caught in the Americas by the 1840s and has been commercialized more so ever since.
Now in 2017 it is the bane of singles and the annual celebration of love for couples everywhere.

 5. It is Celebrated All Over

As stated above and as you probably know, once called “Saint Valentine’s Day” has become “Valentine’s Day” and has become a mostly secular holiday.
But while all these celebrations of love usually fall on February 14, the name “Valentine’s Day” is reserved distinctly for America and European nations. In other corners of the world the day is usually referred to as some alteration of “lover day” or “love day.”
In fact, some Islamic-majority countries have been the holiday. Yesterday it was reported that the High Court of Pakistan issued a nationwide ban on Valentine’s Day.

 

 

Friday, 4 November 2016

Raychel Harvey Jones | Theatre Review: ‘Savage Love’ at Single Carrot Theatre

Happiness, sadness, sexy moments, sleepless nights and sheer frustration–  I guess the topic must be love.
“Savage Love” captures the emotions that we have all felt at some point in our lives, even if we haven’t yet found true love.
On October 29th a preview of the show played out at the Single Carrot Theatre.
The theatre shares space with Parts and Labor, a modern restaurant and butchery and the Baltimore Improv.
This decadent old, yet marvelously modernized building in the Remington area of charm city is a great venue. Read More......

Thursday, 3 November 2016

Raychel Harvey Jones | Hollywood is Fighting Back Against Body Shaming

“Love yourself no matter what shape or size you are,” says “Walking Dead” actress Ann Mahoney.

As a somewhat normal person, the pressure is on daily to look younger, thinner, the list is endless! A TV agent used the ‘B’ word recently Botox! However, it makes me feel a little better to know that Hollywood is taking a stand and saying no to Photoshopped images.
According to the American Psychological Association, the obsession with being super thin is on the decline. More and more people, especially young women are focusing on healthy lifestyles and less stress. READ MORE........

Raychel harvey jones | Theatre Review: ‘The Elephant Man’ at Fells Point Corner Theatre and The Collaborative Theatre Co.

Imagine trying to play the character of a disfigured, grotesque and deformed man without the aid of make-up!
On Sunday, September 11th, The Collaborative Theatre Co. and Fells Point Corner Theatre played out Bernard Pomerance’s “The Elephant Man” with a perfectly timed and well-delivered message.

In a time when outer beauty is praised beyond worth, it is only a few who will show great compassion to true victims. Director Anthony Lane Hinkle takes the audience on a journey back to Victorian London with his fruitful and emotional adaption of the story of John Carey Merrick, the man known as “The Elephant Man.”
Journey of victimization, courage, bravery and humor capturing each emotion perfectly.
From a warm front of house welcome, Fells Point Corner Theatre provides an intimate and friendly community setting, with a professionalism and attention to detail seen with larger venues and budgets.
Merrick, born with extreme facial and bone deformities was sold to passers- by in London as part of a freak show. Doctor Frederick Treves takes Merrick from the mocking crowds and the unforgiving streets of London in the 1880’s, into Royal London Hospital. The man described as half man half elephant was smart, eloquent and a writer of poetry, despite his looks.
To this day the cause of this deformity remains a mystery, although Merrick himself claimed his mother was pushed under the feet of an elephant, while pregnant with him.

Grayson Owen is outstanding as the title character adding to the strong, multi-faceted and diverse cast through a journey of victimization, courage, bravery and humor; capturing each emotion perfectly.
Owen showed immense stamina as Merrick, maintaining his character meticulously throughout. Imagine taking on the task of convincing the audience you are a grotesquely deformed man without the aid of make-up or added facial props. Owen did this, effortlessly. With just a 15 minute break in the show, every step, with his wheezing breath makes his character more believable.

Owen uses his posture to represent Merrick’s deformities, from his deformed hand to the constant dragging of his foot in an attempt to walk. His portrayal of Merrick with his voice, breathless, struggling through slurred speech was impeccable.

Kel Millionie captured the era with accuracy using subdued lighting, and a minimalistic set design. Using dulled tones to replicate Victorian London. Kudos to sound designer Chris Aldrich, who chose well in his choice of music throughout the show. A play depicting London wouldn’t have been complete without the sound of rain.

Despite being set in 1884, the use of projected images added to the play and didn’t feel uncharacteristic in helping to relay Merrick’s story.

Sean Coe played Frederick Treves, Merrick’s savior, and doctor. A strong character who didn’t sway from his role in the slightest. Empathic, smart and frustrated at his inability to find answers to Merrick’s condition and further medical advances to help him.

Aladrian Wetzel played a pinhead, a countess and Mrs. Kendal, a Shakespearean actress.  As Mrs.Kendal she endeared the audience to her character.

Several of the cast members covered numerous roles, Elizabeth Ung, moving from a pinhead as part of the original freak show to a duchess.

During the play I noticed that some of the performers British accents were more convincing than others. That made the dialogue at times difficult to understand. Tough break sending a real Brit to watch the show.

Overall, I thought the play was very well executed with every detail. I wasn’t ready for the curtain to come down.
Running Time:  2 hours with a 15-minute intermission.
“The Elephant Man” runs through October 2nd at Fells Point Corner Theatre,

 



Raychel harvey jones | Concert Review: Rossini’s ‘Tancredi’ at Baltimore Concert Opera

Alexandra Rodrick, (Roggiero) Heather Johnson (Tancredi), Matthew Curran (Orbazzano), Heath Huberg (Argirio), Lindsay Ohse (Amenaide), Madelyn Wanner (Isaura). Photo By Baltimore Concert Opera.

Women playing the roles of men, not one but two possible endings all set in one of Charm city’s most elegant and historic areas. As a first-time concert operagoer, it will not be my last!

On September 30th “Rossini’s Tancredi” played out at the Baltimore Concert Opera and Southwest Opera.
From the history outside this Mount Vernon location to the opulence of the interiors it is an unforgettable experience, a hidden gem in the heart of the city.

…glorious music and a compelling story
The Baltimore Concert Opera is celebrating its 8th season. A Concert Opera is a full-length opera presented with soloists, often a full orchestra, chorus, and conductor. There are no sets, costumes or props to distract from the focus of the music and the performers.

After a per-opera lecture by Maestro Anthony Barrese, the audience shares the room with an all-male chorus accompanied by Michael Dauphinais on piano.

Throughout the Opera, there are supertitles on a screen set above the performers. This helps the audience follow along with this emotional story.

“Tancredi” is based on a play by Voltaire and first premiered in February 1813 Venice.
The drama unfolds around the beautiful Amenaide, who is caught in the middle of the politics of the men in her life. Her father Argirio, Tancredi, the man she loves, and Orbazzano the man to who she is betrothed.
menaide, played by Lindsay Ohse brought her passionate and at times tragic story to life through glorious music and a compelling story with each beautifully executed song. Making her debut at the Baltimore Concert Opera Ohse’s performance was impeccable, telling her story with her voice and her facial expressions.
Heather Johnson played Tancredi, an exiled Syracusan Knight and secret love of Amenaide.
Johnson, a mezzo-soprano plays a ‘pants’ role. What does that mean? It’s a woman playing the role of a man, something that is not uncommon in Opera. Cherubino in Mozart’s Marriage of Figaro was a very famous ‘pants’ role.
The ‘pants’ role is easy to comprehend being brought up in the United Kingdom with a musical performance known as pantomime. The heroes and villains are traditionally ‘pants’ roles.
Johnson is captivating in her role as Tancredi. As she sings the words, “I burn with rage,” you can rule feel the passion from this performer.

While Amenaide’s father Argirio and Orbazzano, the man betrothed to Amenaide towered above Tancredi in size, Johnson’s voice, charisma, and dedication to her role stood out through the entire performance.
Alexandra Rodrick played Roggiero, Tancredi’s chaperone. Not an easy task playing alongside Johnson, a dynamic performer. However, Rodrick, a Maryland native shows her vocal skills are up to the challenge.
Amenaide’s father, ‘Argiro’ is played by Heath Huberg, he looks very young to be cast in this parental role, but played it with confidence.


Madelyn Wanner played Isaura, a friend to Amenaide and Mathew Curran played Orbazzano.
The 16 strong male chorus gave the opera the final touch in making this performance a pleasure to attend.
The most difficult part of writing a review is not to give away the ending. No spoiler alert here, there are two endings. Intrigued?
Running Time: 2 hours 45 minutes with one intermission.
“Tancredi” runs through October 2nd at The Baltimore Concert Opera for more information on the Baltimore Concert Opera and to buy tickets.


 

Raychel harvey jones | Theatre Review: ‘Dead Man’s Cell Phone’ at McDaniel College

Every hump day needs a good laugh. Great one-liners and a description of wearing a thong that will always make me chuckle.
“Dead Man’s Cell Phone” played out on October 5th at McDaniel College in Westminster. After a little confusion and lack of guidance as to which auditorium I was heading for, I took my seat for this risible play.
… a humdinger of a character with quirky one-liners and quick wit..

Directed by Tad Janes and written by Sarah Ruhl “Dead Man’s Cell Phone” is described, as an ethereal comedy, and the script didn’t disappoint. This cast of amateur performers, students at McDaniel College held my attention with their energy, humor and their ability to keep a straight face through some bizarre moments.
In a world where we rely on cell phones heavily, this play is a light-heated and humorous look at the obsession we have with our digital companions.
Antoinette Martin plays Jean, a good-hearted young girl who realizes the annoying, loud, constant ringing of a cellphone in a café belongs to a dead man, Gordon. Martin sets the comedy level from the start by chastising Gordon for not silencing his phone, only to realize he is slumped at a café table, dead.
No spoiler there, the title gives it away. Jean then sets out on a mission to make sure everyone in Gordon’s life finds peace with his death assuming her new role as his friend and colleague.

Brandi Weyers plays Gordon’s mother Mrs. Gottlieb, a humdinger of a character with quirky one-liners and quick wit. Weyers plays the role of a much older woman very well with great stage presence. Najee Banks plays Gordon with great confidence, dead and alive. In the second act, he gets to relive his last day, sending the audience away with the message, live each day as if it’s your last, as one day it will be.

There are lots of references to Gordon’s profession in the first act. His family questions young Jean as she claims to be a work colleague. “Are you incoming or outgoing?” To cover her tracks, she said “incoming” in the second act his unusual and morally questionable career path is revealed.

Young Jean keeps Gordon’s phone throughout the play, claiming that she will answer the phone forever, just in case a childhood friend calls and haven’t heard about Gordon’s demise.

Jen Shillingsburg plays Hermia, Gordon’s widow who after a few too many martinis reveals some intimate and hilarious details about her love life. This was one of my favorite scenes, Shillingsburg plays the drunk widow well, showing more emotion for her husband’s career path than the actual loss of her husband.

Torreke Evans plays Dwight, Gordon’s brother. Evans plays the downtrodden, mostly forgotten son keeping his nerdish character throughout the performance.

Ira Domser, a McDaniel College Faculty Staff member, went for a minimalist approach to the set design, that worked well. The ensemble created scene changes and movement using moments of well-lit silhouettes. The Light Design is the work of Moises Miguel.

I wasn’t convinced at times that the music was in the right era considering the focus on mobile technology and our reliance on it in today’s world.

You would be wise to check twice that your cell phone is off during this play as the cast and lighting rely heavily on ringing phones as sound cues. While at times the audience is encouraged to participate, you don’t want to become part of the action.

There is some colorful language in the play that may not be suitable for a younger theater-goer.
Running Time: 2 hours with one 10-minute intermission.

“Dead Man’s Cell Phone” runs through October 8th at McDaniel College, for more information you can check the website



 

Raychel harvey jones | Concert Review: ‘Beginnings’ at Amoss Center at Harford Community College

It’s classic rock with a brass section!Tight harmonies, breathtaking guitar solos all topped off with a horn section that would be the envy of many large orchestras.

If you have ever wondered what happens when eight talented musicians come together to play music they love, welcome to “Beginnings.” The band based in New York has mastered the sound and feel of the band Chicago. Their love and energy for performing Chicago’s songs are abundant on stage. The similarity was uncanny.

Like most people, I am familiar with the big hits of the band Chicago. However, I downloaded an album of the band before heading to the show. How can I compare a tribute band without studying the original sound, right?
Mason Swearingen leads the band on vocals and bass guitar. I am nicknaming him the McDreamy of musicians; I couldn’t take my eyes off him. His voice is so smooth.

Swearingen’s range is very impressive, and unlike many of the bands, we see today this guy is a born performer. He took the lead in most of the songs throughout the show, but also gave the audience a tour of history through the music of Chicago that spans over many decades. As someone who isn’t a die-hard fan, I got to learn more about the band. It was fascinating to know more about the transition the band made during the 80s when they started using different songwriters.

I wasn’t surprised to hear that lead guitarist Johhny Roggio had recently appeared in the Broadway smash “Rock of Ages.” Roggio can make a guitar sing. Throughout the show his guitar solos were impeccably delivered, you could hear the clarity of every note and riff. He also provided backing vocals and took to the mic for a solo during the band’s second set. Roggio was a joy to watch, with his energy, skill and his interaction with the audience.

The talent in this band is endless. Jeremy Fischer on drums stands up to take several moments in the solo spotlight taking on some of Chicago’s biggest hits. He has a good voice that cuts through with his higher 
There isn’t a weak vocalist in this band, just when you think you have heard them all, Scott Chasolen steps up on the keyboards. A velvet tone and excellent intonation to his voice through some of the more challenging Chicago songs. His personality beams through when he is playing, he also backs up the other vocalists throughout the 2-hour show that for me could have lasted much longer.

The horn section adds an exceptional sound that no other band seemed to capture back in the 60s, or to this day. The horns are made up of Rob Cutts on saxophone, Michael Boscarino on trombone, Adam Seely on soprano/alto saxophones and Jason Chapman on Trumpet. Boscarino’s trumpet solo during the band’s namesake song “Beginnings” got the audience on their feet.

There were lots of brass solo moments that were a highlight for me – just incredible. These guys are tight musically and lots of fun to watch as they interact with each other on stage.

The band uses iPads to communicate with an audio monitoring system. The Harford Community College Technical Crew were in charge of the lighting and sound. The lighting on the stage in places was unbalanced, which made it hard to see the performers when they walked too far stage left.

Catering to so many vocals and instruments can’t be easy. The sound, in general, was good; there were several moments when microphones were not hot for a few seconds, but that were quickly rectified.
Running Time: Two hours with one 20 minute break.
While the college was about a 40-minute drive away from Baltimore, it’s a great venue. After leaving I-95, it’s a great ride through the countryside, and you can park just steps away from the venue.
“Beginnings” was a one night only performance in Bel Air, you can check out the upcoming shows at Harford Community College here.
To find out where “Beginnings” are playing you can check out their website here or check out their Facebook Page.