Alexandra Rodrick, (Roggiero) Heather Johnson (Tancredi), Matthew Curran
(Orbazzano), Heath Huberg (Argirio), Lindsay Ohse (Amenaide), Madelyn
Wanner (Isaura). Photo By Baltimore Concert Opera.
Women playing the roles of men, not one but two possible endings all
set in one of Charm city’s most elegant and historic areas. As a
first-time concert operagoer, it will not be my last!
On September 30
th “Rossini’s Tancredi” played out at the Baltimore Concert Opera and Southwest Opera.
From the history outside this Mount Vernon location to the opulence
of the interiors it is an unforgettable experience, a hidden gem in the
heart of the city.
…glorious music and a compelling story
The Baltimore Concert Opera is celebrating its 8th season. A Concert
Opera is a full-length opera presented with soloists, often a full
orchestra, chorus, and conductor. There are no sets, costumes or props
to distract from the focus of the music and the performers.
After a per-opera lecture by Maestro Anthony Barrese, the audience
shares the room with an all-male chorus accompanied by Michael
Dauphinais on piano.
Throughout the Opera, there are supertitles on a screen set above the
performers. This helps the audience follow along with this emotional
story.
“Tancredi” is based on a play by Voltaire and first premiered in February 1813 Venice.
The drama unfolds around the beautiful Amenaide, who is caught in the
middle of the politics of the men in her life. Her father Argirio,
Tancredi, the man she loves, and Orbazzano the man to who she is
betrothed.
menaide, played by Lindsay Ohse brought her passionate and at times
tragic story to life through glorious music and a compelling story with
each beautifully executed song. Making her debut at the Baltimore
Concert Opera Ohse’s performance was impeccable, telling her story with
her voice and her facial expressions.
Heather Johnson played Tancredi, an exiled Syracusan Knight and secret love of Amenaide.
Johnson, a mezzo-soprano plays a ‘pants’ role. What does that mean?
It’s a woman playing the role of a man, something that is not uncommon
in Opera. Cherubino in Mozart’s Marriage of Figaro was a very famous
‘pants’ role.
The ‘pants’ role is easy to comprehend being brought up in the United
Kingdom with a musical performance known as pantomime. The heroes and
villains are traditionally ‘pants’ roles.
Johnson is captivating in her role as Tancredi. As she sings the
words, “I burn with rage,” you can rule feel the passion from this
performer.
While Amenaide’s father Argirio and Orbazzano, the man betrothed to
Amenaide towered above Tancredi in size, Johnson’s voice, charisma, and
dedication to her role stood out through the entire performance.
Alexandra Rodrick played Roggiero, Tancredi’s chaperone. Not an easy
task playing alongside Johnson, a dynamic performer. However, Rodrick, a
Maryland native shows her vocal skills are up to the challenge.
Amenaide’s father, ‘Argiro’ is played by Heath Huberg, he looks very
young to be cast in this parental role, but played it with confidence.
Madelyn Wanner played Isaura, a friend to Amenaide and Mathew Curran played Orbazzano.
The 16 strong male chorus gave the opera the final touch in making this performance a pleasure to attend.
The most difficult part of writing a review is not to give away the
ending. No spoiler alert here, there are two endings. Intrigued?
Running Time: 2 hours 45 minutes with one intermission.
“Tancredi” runs through October 2nd at The Baltimore Concert Opera
for more information on the Baltimore Concert Opera and to buy tickets.
Posted By: Raychel Harvey Jones
